Dating 19th century photographs of men fb liquidating estate

In order to understand them, one must first understand the characteristics of the process itself.

One of the most important characteristics is immediacy. Upon exposure to the light forming the image, the sensitive material undergoes changes in its structure, a latent (but reversed) image usually called a negative is formed, and the image becomes visible by development and permanent by fixing with sodium thiosulfate, called “hypo.” With modern materials, the processing may take place immediately or may be delayed for weeks or months.

When Pennell left the firm in 1843, Josiah Johnson Hawes (1808–1901) took his place, and the celebrated nineteen-year partnership of Southworth and Hawes was born.

The firm was known around the world for its aesthetic accomplishments and technical finesse.

In 2011, a modern-day treasure hunter was browsing through an antique shop in Fresno, California.

Flipping through boxes, he came across an old photograph. After much investigation, it was concluded that one of the men was Billy the Kid, aka Henry Mc Carty, and the other players were his gang, The Regulators.

Although the camera usually limits the photographer to depicting existing objects rather than imaginary or interpretive views, the skilled photographer can introduce creativity into the mechanical reproduction process.

A woman I knew who was also involved in the same scrapbook company told me about a collection of old photos she had inherited from her parents who had long since passed away.

My friend explained to me that no matter how hard she tried, she could not figure out who the people were in these photographs.

The daguerreotype, the first photographic process, was invented by Louis-Jacques-Mandé Daguerre (1787–1851) and spread rapidly around the world after its presentation to the public in Paris in 1839.

Exposed in a camera obscura and developed in mercury vapors, each highly polished silvered copper plate is a unique photograph that, when viewed in proper light, exhibits extraordinary detail and three-dimensionality.

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The Boston partnership produced among the finest portrait daguerreotypes in America for leading political, intellectual, and artistic figures, from Daniel Webster (37.14.2) to Harriet Beecher Stowe (). A skilled daguerreotypist, he learned the technical aspects of the process from the American pioneers of the medium, Samuel Morse and John Draper.

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